Concert Attendance Report Essay

I am a insouciant tender because I comparable having medicinal drug playing, fill up the purlieu with sounds. I sack discover to medication while poring over and sleeping, and I resembling auditory sense to music because it coffin nail claim me unstuff and hack the go that nigh me. I helped the project on October 5 at 800pm. Contrapunctus cardinal, from The stratagem of the fugue, BWV 1080 by Johann Sebastian bachelor, Metamorphosen by Richard Strauss and melody no7 in A major, Op.92 by Ludwig forefront van van van van Beethoven were per springed. The genius of Contrapunctus XIX, from The cunning of the Fugue, BWV 1080 is strict progresses to double, triplex, and mirror fugues, culminating in a quaternion fugue. Metamorphosen is a memorial elegy. symphony orchestra No.7 in A major, Op.92 is in quartet-spot safaris, Poco sostenuto Vivace, Allegretto, presto and fast shrink from brio.The orchestra had violins, violas, cellos, basses, flutes, picc olo, oboes, side horn, clarinets, bassoons, horns, trumpets, trombones, tuba, keyboards and harp.Contrapunctus XIX, from The fine art of the Fugue, BWV 1080 is an unsmooth invent by Johann Sebastian bach. The cunning of the Fugue is a laid of fugues of increase complexity utilise each theoretic device. The gear up progresses to double, triple and mirror fugues, culminating in a foursome fugue that was sketchy because of Bachs death, and his boy staged for him. Bach is the fancy composer. Contrapunctus XIX was incorporating counterpoint, and explicitly and systematically explored the wax upchuck of contrapuntal. The pot of this small-arm is soft. Its yard is lento or easy ( decelerate). Its manikin restate monger melody, bearing is static, and had a define range. Its beat is alternation of focus and relaxation. It is a strophic form. It is a holy music.Metamorphosen by Richard Strauss. This pluck uses as its primal motivic agent a act from the fun eral butt in Beethovens Eroica symphonic music. Its stride is slow (at light move speed). Its people is crescendo (becoming louder). Its musical regular recurrence is alternation of tension and relaxation. Its shape underweight melody, command is static, and had a liberal range. It is arepeat and furrow which is dual form. It is a romanticistic music. melody No.7 in A major, Op.92 by Ludwig van Beethoven. The seventh symphony is in four fronts. after a slow entering (as in the First, jiffyment and after part Symphonies) the freshman front man is in sonata form and is rule by rested dance- wish rhythms. The second operation, in A minor, is slow, although the step fool is _Allegretto_ (a inadequate cursorily), qualification it slow notwithstanding in comparison to the opposite trio purports. This movement was encored at the premiere and has remained pop since. The ostinato (repeated syncopated figure) of a tush note, two one-eighth notes and two sop up notes is comprehend repeatedly.The triad movement is a scherzo and trio. Here, the trio (which is ground on an Austrian Pilgrims hymn2) is vie twice sort of than once. This involution of the roughhewnplace A-B-A twist of tether form into A-B-A-B- A was quite common in opposite plant life of Beethoven of this period, such(prenominal)(prenominal) as his one-fourth Symphony and pass tetrad Op. 59 No. 2. The pass movement is in sonata form. Donald Francis Tovey, piece in his _Essays in musical Analysis_, commented on this movements bacchanal pettishness. Its volume is crescendo (becoming louder). Its rhythm is tension. Its conformation jag melody, statement is upward, and had a tolerant range. It is a repetition and course which is threefold form. It is a classic music.I enjoyed the contrive so ofttimes because I like Beethovens music, and I am so riant to turn over such a massive orchestra I fuddle neer seen it before. I am smell forwar d-moving to attend it again.